|
oral or written discussion strategy used to describe, analyze, interpret and evaluate works of art
|
|
Doing art criticism is like playing a detective. You must assume that the artist has a secret message hidden inside the work. Your job is to solve the mystery and find the message
|
|
What is your topic?
|
|
What is your stance of claim?
|
|
What is your rationale (basis) for this stance?
|
|
What acknowledgement will you make to qualify your stance and consider opposition?
|
|
Qualification + Stance + Rationale = THESIS
|
|
Study the work under discussion
|
|
Make notes on key parts of the work.
|
|
Develop an understanding of the main argument or purpose being expressed in the work
|
|
Consider how the work relates to a broader issue or context (e.g societal, political, racial).
|
|
Description
|
describe the work without using value words such as “beautiful” or “ugly”
|
|
What do I see?
|
|
|
Analysis
|
describe how the work is organized as a complete composition
|
|
How is the work organized?
|
|
|
Interpretation
|
describe how the work makes you think or feel
|
|
What is the artist trying to say?
|
|
|
Judgement
|
present your opinion work’s success or failure
|
|
What do I think of the work?
|
|
Creative works
|
novels, exhibits, films, images
|
|
Research
|
monographs, journal articles, reviews
|
|
Media
|
news reports, feature articles
|
|
a knowledge of the work’s subject or related works
|
|
an understanding of the work’s purpose, intended audience, development of argument, structure of evidence or creative style
|
|
a recognition of the strengths and weaknesses of the work
|
|
Analytical Verbs
|
Different verbs have different meanings or suggest different relationships between authors, readers, characters and ideas.
|
|
Connectives
|
words we use in between sentences to join them
|
|
allow us to be more precise about the relationships between statements
|
|
|
Audience Positioning
|
When discussing audience, you can also use the words 'reader' or 'viewer'
|
|
Imitationalism
|
It is when people think that art should imitate what we see in real world.
|
|
Formalism
|
It is when people feel that art uses the principles of design and the elements of art.
|
|
Emotionalism
|
It is when people believe that art must speak to the viewer through their emotions.
|
|
It is not a fact
|
A fact is irrefutable. Writing a fact as a thesis makes no argument.
|
|
It is not a question
|
A question does not express one's claim or comment about a topic.
|
|
It is not an announcement
|
avoid saying what you will discuss in the text
|
|
It is not too broad
|
Avoid making vague and confusing thesis statements by making a specific and focused thesis
|
|
It is a complete sentence
|
A phrase does not convey complete ideas or thoughts. Stating the thesis in a complete sentence makes it easier for the reader to understand the main idea of the text.
|
|
It requires support
|
Facts, surveys, reports, etc. should be used as proof or pieces of evidence to support your claim/opinion on the topic to make it persuasive
|
|
It takes a stand
|
The thesis should clearly show your claim about a subject/topic
|
|
It is arguable
|
The thesis should be contestable, debatable, or argumentative. It should never be a factual statement.
|
|
Introduction
|
|
|
Introduce the work and author
|
|
|
Define main argument or purpose
|
|
|
Explain context of the work being evaluated
|
|
|
Construct a concluding sentence with signposts
|
|
|
Body
|
|
|
Summary (shorter than the critical evaluation)
|
|
|
Critical Evaluation
|
|
|
Conclusion (brief paragraph)
|
|
|
overall evaluation of the work
|
|
|
short recall of the key reasons why this evaluation was formed
|
|
|
in some circumstances, recommendations for improvement of the work may be provided
|
|
|
it is important to take note that new ideas or concepts related to the work should no longer be introduced or discussed in this section
|
|
|
Reference List
|
|
|
humss/abm/tvl : american psychological association (APA)
|
|
|
stem : council of science editors (cse)
|
|
No comments yet.
Cheatography n. The art of mapping complex subjects into clear, instantly navigable reference guides.